Friday, July 22, 2011

Day 319 Arrival Bay Model Building Process

The Arrival Bay

In the "Arrival Bay" scene Peter, lead character in Day 319, docs his ACC shuttle (F1, 2 & 3) with a landing platform (F4 & 5), where he will wait to be picked up by another smaller shuttle and transferred to site B. However, unfortunately for Peter, a strange anomaly occurs and the elevator like tube he looks to navigate through ejects a black liquid which prevents him from boarding the platform.



Above: ACC Shuttle Renderings F1- 3D Design F2- Top Down, Back, and Front F3- Side Below: Landing Platform Renderings F4- Top Down, and Side F5- Front View


Although many sets were constructed to represent the interior of the ACC shuttle, it was understood immediately that an arrival bay set would not be constructed with the projected budget. To satisfy the scene's elaborate visual requirements, the decision was made to combine footage of constructed miniature models and the lead actor, Taylor Girard, shot in a green screen environment.

The Construction Process



F6- F10

In F6 I constructed the scaled down version of the room with cardboard. The materials most commonly used during the model making process, on this project, where cardboard, drywall mud, acrylic paint, and hot glue. In F7 I began to place dowel rods and paper towel tubs to represent pipes and vents.

I applied drywall mud to the walls to simulate a rough texture and cover up the look of cardboard. Shown in F8.

The original design called for the arrival bay to house two glass rooms that Peter would cross through to regulate O2 levels before boarding the landing platform. As shown in F9 the first and smaller glass room presents shooting issues, because it is difficult to see beyond it. The design was quickly changed and the first glass room was nixed. Next I began painting (with the help of Day 319 practical FX make-up girl, Caitlyn Poli) the floor, walls, and ceiling, each with a slightly different color scheme.

Once the ceiling was in place I installed six the ceiling port lights. (Shown in F10)


F11-13

Using poster board, with a cardboard skeleton, I constructed the elevator tube and walls for the glass room Peter attempts to enter. Knowing the model would have to hold a large amount of liquid, I sealed the seams with particle board, hot glue, packing tape, and drywall mud (F11). Then I applied the faux finish to the walls and tube (F12 & 13).


F14

Next, as seen in F14, I inserted the Plexiglas wall and joined the two models together. The bottom of the elevator tube is also Plexiglas so the model can be light from beneath.


F15-17

After placing the ceiling back on all that remained was to test the lighting and make a few last minute alterations (F15-17). The model is at this point about 90% completed and other touches/ alterations will be made in the post production process.

Once the model is shot I will post a clip of the scene. Thanks for reading!


5 comments:

onjoFilms said...

Hey pretty neat Robert.
I've been wanting to do a space movie for some time now. I've been working with Blender 3D and Syntheyes and will probably make my sets in the Blender.
What are your thoughts on 3D sets versus miniature sets?
Maybe we can collab on something.

Robert S. Pearson said...

I think it all depends on the situation. Time, budget, and interaction are all key. In the scene this was built for, liquid plays a big role so I think it's best to go practical. I like 3D for more elaborate backdrops, but if you're going for realism, nothing beats real.

And I'm always up for collaberating, so keep in touch. Feel free to facebook me by searching "Robert S Pearson."

Jennifer said...

Very nice Robert. :)

Termaine said...
This comment has been removed by the author.
Termaine said...

Hmm, Interesting. Congrats on your near completion. I'm interested to see the end results of your work. There's something to be said about someone who could do something like this and make it work at this level. Best of Luck Robert.